Using Art to Understand Forests

Thursday, June 26, 2014
Caroline Chaboo

Ever since Steve Goddard, KU’s Spencer Art Museum, introduced me to Sunprints during our 2011 field class at the CICRA Biological Station, I have incorporated this art/science activity with subsequent classes. Sun-printing, developed by 19th century artists, uses the sun’s UV rays to make prints of objects on photographic paper. [UC Berkeley sells convenient kits].

After a morning of tough high-elevation hiking and a rich lunch of quinoa soup, we needed a quieter diversion. My kit had 15 sheets, enough for my KU students as well as others conducting research here. Each person collected some leaves and flowers and spent a few minutes designing their layout. Then we got to “printing”, essentially exposing the plate to sun for ~4-6 mins.

The end-product is beautiful and frame-able. Indeed, some appeared in our 2012 Spencer exhibition, This fun art/science exercise opens various discussions, e.g., about sunlight traveling down through forest layers* and leaf morphology**. No winner of our competition was selected since we could not agree on a single most beautiful plate from so many.

– Caroline Chaboo

* John A. Endler. 1993. The Color of Light in Forests and Its Implications. Ecological Monographs Vol. 63, No. 1, pp. 1-27.

** AP Coble, MA Cavleri. 2014. Light drives vertical gradients of leaf morphology in a sugar maple (Acer saccharum) forest. Tree Physiology 02/2014; DOI:10.1093/treephys/tpt126