One of the most challenging aspects of working inside the museum’s Panorama exhibit is its fragility. In fact, Ron Harvey has described it as “working inside a painting.” But instead of straddling the brushstrokes of Van Gogh, the assessment team is carefully maneuvering across plaster “rocks,” along narrow foot paths, and between animal mounts.
Nancy Bixler described the work as physically demanding and requiring a three-dimensional consciousness.
“It looks easy from the outside, but it is a huge challenge,” she said. “You can’t lean on anything and you must keep your balance as you move around the animals and plants.”
The team wears Tyvek suits, booties, and respirators over their street clothes to protect against particles in the air that may include arsenic or lead. With every step, they must assess where their feet will fall, and make sure that they don’t step on the dried grasses — one misstep and the grasses turn to dust.
The contorted positions would make anyone sore at the end of the day. Perhaps we should consider yoga sessions in the Panorama to stretch out at the end of the day?